Worldes blis ne last no throwe (Worldly bliss lasts but a moment), Anon. 1265
Ensemble Belladonna: Miriam Andersén and Rebecca Bain
Melodious Melancholy (The sweet sounds of medieval England), 2006
En attendant, esperance - Jacob de Senleches - Ensemble Le Souvenir
Roger Helou - organetto and direction
Sofia Danilevskaia - viol
Clara Brunet - voice
FESTIVAL MUZIKA W'RAJU, Paradysz, Poland August 2018
Antiphon: O rubor sanguinis - Anonymous 4
Hildegard von Bingen: 11,000 Virgins - Chants for the Feast of St. Ursula
Pérotin´s ‘Beata viscera’
Conductus for solo voice
Léonin - Pérotin - Tonus Peregrinus – Sacred Music From Notre-Dame Cathedral (Naxos, 2005)
Puisque je suis fumeux - Johannes Symonis
An example of French Ars Subtilior composition, from ~1400AD in the Avignon region
Trebor - Quant joyne cuer en may est amoureux
Ferrara Ensemble, taken from the album Corps Femenin
Adieu, adieu mon joieulx souvenir - Gilles Binchois (c.1400-1460)
Faventina - The liturgical music of Codex Faenza 117 (1380-1420)
Kyrie, Fons et origo/Alleluja, Ego sum pastor bonus/Kyrie, Orbis factor
Mala Punica - Pedro Memelsdorff
Old Roman chant - Terra Tremuit
Ensemble Organum, directed by Marcel Peres
Album: ‘Chants De L'Eglise De Rome Des VIIe Et VIIIe Siècles. Période Byzantine’
A chantar m'er de so qu'eu no volria (I must sing of what I do not want).
Music and lyrics by Beatriz de Dia (born c. 1140 - flourished circa 1175, Provence), the most famous of a small group of trobairitz, or female troubadours who wrote courtly songs of love during the twelfth and thirteenth centuries.
Performed by Clemencic Consort
Singer: Pilar Figueras
Solage - Fumeux Fume
Late 14th-century French rondeau from the Chantilly Codex, sang by Alla Francesca (Emmanuel Bonnardot, Marco Horvat & Raphaël Boulay)
Bálint Bakfark - Lute Fantasy No. 9
From ‘Music Life In Old Hungary / 13th-18th Century’
(Hungaroton, 1973)